-it remained a place of beautify, seen and unseen, transformed but still lovely.
-Jayne Moore Waldrop from Drowned Town
Lovely is how I would describe both Jayne and this rich wonderful novel of linked stories about homes we can no longer return to. There are a lot of drowned towns in Kentucky and Tennessee, an excruciating sacrifice made when the Tennessee Valley Authority dammed rivers to make lakes during the New Deal to control flooding and create electricity. I had the great privilege of watching this book take form as parts of it was workshopped at Hindman and in a Covid writers group on Zoom that helped me keep my sanity- thank you very much Matthew, Cathy, Jayne, Rachel and Tamela. That Zoom writers group was one of the best things that came out of the Pandemic- two published books were born, including Drowned Town, and who knows, maybe more soon from the rest of us.
Jayne has been super busy with a couple of wonderful and important picture books, a collection of poetry, PandemicLent: A Season ofPoems, and other writing. It’s been too long since I got to spend time with her, but I hope that changes soon. You can find out more about her and her work here: https://www.jaynemoorewaldrop.com
I just can’t seem to capture the beauty of these sparkly inks. This Diamine ink is a deep sparkling violet.
My Advent Tree this year is dedicated to my writer friends and teachers. I am so grateful for all the light you shine in the darkness.
Last year, Fireside Industries published Jane Hick’s remarkable poetry collection The Safety of Small Things, one of my favorite books of 2024. I read it all at once and have dipped back into it again and again. It is such good company. It lends me courage. The book speaks of her journey through cancer, of grief and fear and of the small mercies that can lead you through. I have been lucky to attend workshops and retreats with her at Hindman Settlement School- wise, grounded, funny and focused, Jane raises the energy of every room. Poet in the house, I remember to breathe.
The blossoms lengthened to prickle-skinned shafts, butter and egg yolk yellow, peeping from under broad fronds, jungle leaves, looking like they belonged in the outskirts of Manila, where he ordered a wife once.
From Heirlooms by Erin Miller Reid
Erin always brings gifts to lay on the little dining room table at Stuckey, one of the houses at the Hindman Settlement School in Knott County Kentucky, a chosen home for so many people since 1902. Writers gather there at the annual Appalachian Writer Workshop and several weekend retreats through the year. We work during the day and stay up late at night sharing gifts, swapping stories and catching up, and yes, partying.. When Erin opens her mouth to share a story, those who know her perk up their ears, waiting for the moment it turns south, because it always does only you don’t know where or how. Then boom! There it goes, and we howl or cover our ears. Don’t ask about examining rooms or the elephant that was hung for murder in Kingsport, Tennessee.
I love Erin and her generosity and her south turns. She writes poems and short stories and has a novel coming out in the Fall of 2026 that I can’t wait to get my hands on. Party on Dr. Reid.
Erin is also Flood kin, here’s some of her flood writing:
Oh Patsy, I breathe easier when I’m around you. We recognize something about each other, maybe it’s the way we hold grief in our bodies. We see it and don’t need to talk about it but can with ease if we want. For years now we have been friends, flood kin and roommates at the Appalachian Writers Workshops and retreats at Hindman. You and I and Angie Mimms will lie on our beds and laugh like girls at summer camp, lightening the load we each of us carry. Thank you for that ease. Thank you for that understanding.
I love your poetry- lean, spare, and right to the heart of mystery. I want Everyone to read it.
Everyone, this is Patsy Kisner. Her most recent book is Until the Surface Breaks. She has another collection coming out soon and I hope I get to do the cover art.
Surely the boy that would love them puppies and kittens was still in there somewhere. If only I hadn’t killed him with the good skillet.
Robert Gipe from Pop
Every time I read or listen to a Jack Tale, I only picture Jack one way- as Robert Gipe. Writer, teacher, artist, activist, organizer, theater maker, Robert has spent his life speaking truth to power. The way he tells it, Truth sneaks in the back door or cracked window in the form of a joke, a story, a drawing, a play. It catches you up in ituntil the disguise is thrown off and you cannot deny the vision of what he is fighting for- respect, dignity and safety for the people of Appalachia. He gives voice to the voiceless.
At Hindman, Robert is Master of the Introduction, King of the Porch, the voice of the Brier in the annual reading of Jim Wayne Miller’s Brier Sermon, and Inventor of the Grippo’s Salad. He is a friend to all, the one you want beside you in a fight. I am honored to know him.
This line is from the third of his trilogy of illustrated novels: Trampoline, Weedeater & Pop. Read them. Really, just do it.
“Depends. You ever consider switching to Marlboro?”
-Willie Carver
I’m grateful to have met Willie Carver a couple of years ago. I first learned of him through Twitter, back when it was Twitter and I was still on it. I knew him first as the Kentucky Teacher of the Year who was driven from his school by the hatefulness unleashed on him and his students. Then his book came out “Gay Poems for Red States” and I knew I wanted to meet him. Like so many others, he was drawn to Hindman and that is where we met. We’ve attended workshops together and I’ve come to his retreats and taken his classes. He is, indeed, a master educator. I’ve been blessed to get him to come to my school as a speaker. My students loved him, as I knew they would. Hilarious, brilliant, uncompromising, he is a lighthouse for those seeking the safety of justice, acceptance and love.
This line is from “Gas Station” a short story published in the Winter 2024 issue of Untelling: Literary and Arts magazine. Gay Poems for Red States has won a boatload of well-earned awards. I’m really looking forward to his novel coming out in the spring: Tore All to Pieces.
Please learn more about him and the good trouble he is always getting into:
“The silence after was nothing like the silence before.”
-Chelyen Davis
This line is from “Wellness Check” a chilling short story published in the 2024 winter issue of Untelling. Its ending has stuck with me a long time. That devastating silence. I met Chelyen at Hindman years ago. I don’t even know how many workshops and retreats we have attended together. Lord, the stories we’ve told and listened to late in the night on the porch or in the living room of Stuckey. We lived through that unimaginable flood there in 2022 when Troublesome Creek rose 21 feet in just a few hours in the middle of the night sweeping lives and trees and cars and homes away. It changed us all. Shared disaster turns acquaintances into kin.
Chelyen is a former journalist and speech writer for the governor of Virginia. Her work has been published in Appachian Review, Still: The Journal and The Botter Southerner, among other places. You can read three of the poems she wrote about the flood in Melissa Helton’s gorgeous anthology Troublesome Rising:
My Advent Tree this year is dedicated to my writer friends and teachers. I am so grateful for all the light you shine in the darkness.
In the end, I decided I would never again be the scared boy in my story. -Jonathan Corcoran
I did not know Jon or his work until I found myself in his creative nonfiction workshop at the Hindman Settlement School in the summer of 2024. His memoir No Son of Mine had just been released. I was nervous about my work that summer- I’d had a horrible year of being sicker longer than I ever experienced. I was exhausted, depressed, my resistance was very low and I just could not get well that year. That week was magical, the first time the sun came out for me in a long time. Jon is a fantastic teacher- kind, insightful and inspiring. He makes everyone feel welcome and listened to, you just want to hang out with him. His one-on-one conference with me was one of the most healing things I’ve experienced. I am profoundly grateful for his encouragement and understand, and his insight into what I might do with my disjointed creative life. His memoir is very powerful, and very important for those who experience the devastating alienation from their families because of their sexual orientation. And it is important for others to come to some understanding of just how devastating that is. His short story collection Rope Swing is a delight. He has just finished a novel that I am looking forward to very much.
The year began with nothing but dread and did not disappoint. Each day has brought fresh blows. So much of what I believed about my country and the people in it has been washed away. So many harmed, in danger, belittled and silenced. I have felt hopeless and powerless. In the spring of 2025, my 24 year old daughter suffered a cryptogenic stroke, suddenly unable to feel anything on her entire right side, unable to find words or use them. She and I live alone together. I was able to get her to the ER at 5:30 am on a Monday morning, marking the beginning of many weeks in the hospital followed by months in rehab. She is doing well now, still in recovery, trying to regain what she has lost. Maybe she will. She has come a long way. It has been a challenge keeping my head above water in this constant inundation. Knowing that I am not alone in this does help. It also hurts too.
Reading and writing and making art have been so important this year. My communities have been even more important- my family, friends, the school and church where I work, and my writing community. Lord I am rich in a writing community. Being with them in workshops and retreats, reading their words when I am alone, sharing my words with them for advice- all of this has been a lifeboat for me. This year’s advent calendar is a celebration of them. Each day is a line or two from their work coupled with the ink of the day from the delicious Inkvent calendar I splurged on from Diamine Ink. I make an ornament with these words and hang them on my Advent Tree. I will make a post each day about their work and share where you might find more. I have so many writing friends and acquaintances that I will not be able to highlight them all in one Advent season, which grieves me. All of us are connected through the Hindman Settlement School. It is where we met, where we meet, where we teach each other and share our work. What a blessing.
Advent is my favorite time of year, a time to contemplate the darkness and the returning of the light. It is a hopeful time. Hope is what I need. Gratitude is what I have. Thank you friends for all your work and the light you bring into the world.
This is rich sparkly ink that has many dimensions. They don’t seem to show up in the photos, but it’s both wine red and ocean blue with a golden sparkle.
December 1 Celestial Skies
The terrible stars sometimes fall, but we are asleep in the valley, we are asleep in each other’s arms.
Annie Woodford
These lines are from the poem “Wilkes County Posada” by Annie Woodford. This poem gutted me when I read it last month in her most recent collection “Peasant” published by Pulley Press. It’s an astonishing portrait of what our immigrant neighbors are enduring, people we depend on in so many ways that we are completely ignorant of. People we vilify, imprison and deport without dignity or due process. It is absolutely the perfect beginning to the Advent season. I got the book from her when I saw her at the Appalachian Writers Workshop at Hindman Settlement School this summer. Annie is a poet from North Carolina who is quiet, unassuming and very modest. When you open her books, fierce love leaps off the page and roots you to our earth. I could not put it down. She has an excellent website where you can find out more about her and her work. “Peasant” is my favorite poetry collection of the year so far, and the year is almost over…
It’s a couple of hours before dawn and I have laid and lit the season’s first fire in the hearth. I sit and write by lantern, relishing the fire’s light, warmth, smell and cackle. I feel like I can taste it too. It is a portal to memory. I am happy that November is here. Halloween is one of my favorites- a celebration of generosity and creativity and community, no one asked to be worshiped or forgiven, small gifts for everyone. It’s a holiday of humor and thrills and sharing. But it’s been years since I carved a pumpkin, my daughter, grown though still living at home, doesn’t like doing it and I haven’t had the heart to do it myself. My daughter doesn’t even like Halloween. I remember feeling so bereft when she stopped trick or treating, of course she was almost too old for it anyway when she stopped. But I was so sad- another sign that childhood was over. Trick or treaters can’t find our house tucked up away from other houses, so for a couple of years after she stopped, I would go walking around the neighborhood by myself just to see all the kids and families and say hello to the neighbors. I don’t do that anymore. Now I walk the halls of the school where I teach. The holiday fell on a Friday this year, which was grand. The day was pretty much given up to Halloween with an all-school assembly, a door decorating contest, classroom parties watching Hocus Pocus and It’s the Great Pumpkin, Charlie Brown. The whole school was in high spirits. So many laughs, so many great costumes, mostly homemade and very clever or fantastical- it was a memory making day for them. No faculty meetings after our early Friday dismissal- we were all to go home. And I went gladly, so so tired from the week, home to my cozy depression- that deep indentation in the mattress I can curl up in.
I spent the afternoon of Halloween moving between past and present as I cleaned the living room and dining room, making room for the change of season. I thought of childhood Halloweens, my own so far away now, and that of my daughter’s. I thought of all the costumes I made her over the years and our Chicago neighborhood of Pilsen that did Halloween like no other place I’ve ever lived. One trip around the block and you had a pillowcase full of generosity- full size candy bars, caramel apples, school and art supplies. Everyone so happy, family parties spilling out onto the sidewalks, Dia de los Muertos ofrendas visible in windows. When she was four, she wanted to be a crossing guard for Halloween because we walked every day to her pre-school and we became friends with her crossing guards. It was a pretty brilliant costume- warm, visible and she could actually stop traffic. I could see people inside their cars smiling and mouthing ‘oh look at the little crossing guard’.
She wore it to school on Halloween and we took pictures with her heroes Debbie and Emily. Debbie was delighted. She stayed our crossing guard for years. Jess’s elementary school was closer to us than the pre-school, so once she went to kindergarten, we only had one crossing guard. Debbie adored Jess and gave her gifts for Christmas and her birthday, and we did the same. She felt like family. Emily was the crossing guard by the pre-school. She was a very tall, imposing woman who was gruff and never smiled at anyone. She did not seem to match her name. She wore a lot of armor, but we always talked cheerfully with her and after a couple of months she wasn’t so suspicious of us. When she saw Jess dressed as a crossing guard, she broke into the first smile I ever saw. Then she teared up. “No one has ever wanted to be me before” she said. And then I teared up, my heart breaking a little. The picture I took of them together twenty years ago on that Chicago street corner sits on a table in my living room. I sat with it a long time in my hands last night, remembering. I wonder if the print I gave her sits on her living room table too. I wonder if we conjured each other’s ghosts last night.
I cleaned and shifted things around to make room for the outdoor plants to be brought in, a Fall ritual that marks the end of the sun’s season of heat. Warmth will be found indoors now. Warmth will be made inside. I moved the cat tree to the front door nook that is never used at all, and I carefully moved the cacti in its place at the half of the French door that remains closed. One of my cactuses is over five feet tall, getting taller every year and harder to move. It will now spend the winter in my sunniest window. I moved the succulents to the center of the dining room table where the sun hits in the afternoon. And I moved the heirloom pothos, all ten pots of them, to their winter place on the wrought iron etagere I was given in the fourth grade for my new room at 12 Eastover Court when Mom and PeteDad were trying for a fresh start in a new house.
The pothos spend the outdoor months on two iron plant holders that hang on the stone wall of my porch on either side of the French doors like sculptures, each holding five pots. These wall holders came from the porch at Beechgate, my mother’s childhood home in Anchorage, Kentucky, a home her father built in 1940. From there they went to the breakfast room at the Dartmouth Apartments where my grandparents moved to the top floor in 1964. Then they went to the back porch of Bird in Bush when my grandmother and I moved into the big house we bought from Uncle Jimmy in 1975. I had moved into my grandmother’s apartment after Gramps died to keep her company and because, looking back now, I needed a quiet place to mourn myself. The wall holders stayed there on that glorious, well-loved porch at Bird in Bush until Mom and FredDad moved to the Dartmouth Apartments themselves a couple of years after Mama died in 1996 and none of us ‘kids’ lived at home anymore. They hung on the same breakfast room wall two floors down from the apartment my grandparents lived in. A couple of years after Dad died in 2010, my mom moved to her current condo on Washington Square and the plant holders came to me, the plants too. And I believe, I really believe, that the plants are the ones that came from Anchorage long ago- cuttings rooted and repotted a few times over. I believe this and don’t want to find out otherwise.
It is a yearly ritual, this moving of the plants. Halloween afternoon and evening, I moved them one by one and thought of their journeys. I added needed soil, pinched back gangly summer growth, wiped off the spider webs, watered them and set them in their winter places. I also brought in firewood and kindling, my morning plan being just what I have done- to have the first fire of the season in the morning dark and sit beside it and write. How I love this turn of the year. The dark is a comfort. I am sitting beside the fire and turning over in my mind’s eye the little circles of my family’s geography, see them loop back on each other- all the houses, Halloweens and hearth fires, all the family no longer making their own circles but alive in mine.
I’ve been up for a couple of hours now and it is starting to get light. I can see the shape of things outside the French doors through the silhouettes of the cacti. I am suddenly aware of how hungry I am for coffee and toast.